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  <title>Family Lost in Tokyo</title>
  <link>https://familylostintokyo.com/</link>
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  <description>She never learned to read. She raised six children alone, and sent every one of them to university. This is her story, told by a son who crossed the world and found it waiting.</description>
  <language>en</language>
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    <title>The Island, Before</title>
    <link>https://familylostintokyo.com/read/the-island-morning/</link>
    <guid isPermaLink="false">the-island-morning</guid>
    <pubDate>Mon, 10 Aug 2026 01:46:37 GMT</pubDate>
    <description>[PLACEHOLDER excerpt — Part Two opens in Haiti — supplied by author]</description>
    <content:encoded><![CDATA[<p>[PLACEHOLDER — Chapter body, Part Two: Origin Series. Candidate for keystone: true — the author designates the keystone set (CONTENT-TODO.md). — supplied by author]</p>
<p>[PLACEHOLDER paragraph mentioning the <span lang="ht"><dfn id="dfn-lakou" lang="ht">lakou</dfn><a class="gloss-link" href="#gloss-lakou" aria-label="definition of lakou">°</a></span>.]</p><aside class="gloss" id="gloss-lakou"><b lang="ht">lakou</b> — A shared family courtyard — the cluster of homes and lives around it; the social heart of a rural Haitian family. <a href="#dfn-lakou" aria-label="back to text">↩</a></aside>]]></content:encoded>
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  <item>
    <title>The First Saturday</title>
    <link>https://familylostintokyo.com/read/first-saturday-dispatch/</link>
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    <pubDate>Mon, 10 Aug 2026 01:46:37 GMT</pubDate>
    <description>[PLACEHOLDER excerpt — the first Tokyo dispatch — supplied by author]</description>
    <content:encoded><![CDATA[<p>[PLACEHOLDER — Chapter body from the manuscript, Part One: Tokyo Chronicles. — supplied by author]</p>
<p>[PLACEHOLDER paragraph.]</p>
<hr class="scene-break" aria-hidden="true">
<p>[PLACEHOLDER paragraph.]</p>]]></content:encoded>
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    <title>Narita, 2012</title>
    <link>https://familylostintokyo.com/read/narita-2012/</link>
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    <pubDate>Mon, 10 Aug 2026 01:46:37 GMT</pubDate>
    <description>Two suitcases, three passports, and a country none of us could read. [PLACEHOLDER excerpt — supplied by author]</description>
    <content:encoded><![CDATA[<p>[PLACEHOLDER — prologue body, ~2,400 words. The Narita arrivals scene from the manuscript replaces this file's body verbatim; front matter stays. — supplied by author]</p>
<figure class="fig">
<img src="/read/narita-2012/images/arrivals.jpg" alt="PLACEHOLDER — photograph, alt text supplied by author" width="1600" height="1067" loading="lazy" decoding="async">
<figcaption>PLACEHOLDER caption — supplied by author.</figcaption></figure>
<p>The arrivals hall said <span lang="ja">ようこそ</span> and none of us could read it. [PLACEHOLDER paragraph.]</p>
<hr class="scene-break" aria-hidden="true">
<p>[PLACEHOLDER paragraph — the braided structure's first turn toward Haiti. A term like <span lang="ht"><dfn id="dfn-lakou" lang="ht">lakou</dfn><a class="gloss-link" href="#gloss-lakou" aria-label="definition of lakou">°</a></span> first occurs here and picks up its glossary note automatically.]</p><aside class="gloss" id="gloss-lakou"><b lang="ht">lakou</b> — A shared family courtyard — the cluster of homes and lives around it; the social heart of a rural Haitian family. <a href="#dfn-lakou" aria-label="back to text">↩</a></aside>
<blockquote><p>[PLACEHOLDER epigraph or quoted dispatch line.]</p></blockquote>
<p>[PLACEHOLDER closing paragraph. <span class="smallcaps">We love you all</span> renders in small caps, never full capitals.]</p>]]></content:encoded>
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